I mean, it seemed like the entire last sequence of Close Encounters was reaction shots of Richard Dreyfuss going omg, wow, omg wow wowzer golly gee willickers.
Wow. Having never squealed my tires on dirt or gravel, I wouldn't have thought of that. But, of course, with your motorcycle experience... yeah, good point!
Actually - you make an interesting point. I always assumed that directors chose to ignore the reality that tires don't squeal on dirt or gravel, in favor of the unrealistic-but-more-spectacular squealing sound effects. After reading your reply it dawns on me that perhaps people (including directors and ??sound effects guys??) don't know the reality, and are making an honest, but obvious, mistake.
...the director cues up the second or third or fourth MONTAGE. I can handle one. I understand that they are sometimes necessary plot devices. But after one, I have just checked out.
Gross historical inaccuracies, especially when the real history was more interesting. Same with bad Hollywood rewrites of classic literature that almost totally ignore the source material yet for some reason still keep the title.
...a sex scene lasts longer than a minute and doesn't further the plot any more than the <10 second version would have.
...everything is completely normal and typical for more than 30 minutes. Why go to a movie? I could just recollect my own life. It takes less time, too.